Fragments

2.8.12 § 5 commentarii

Sometimes prayers fall silent halfway through. Sometimes composition is to difficult: the central image is too weighty to be supported by surrounding ornamentation. Sometimes, a hymn never really gets started. In those cases, we're left with fragments. Some of them good and worth returning to. Most of them not. However, out of some kind of spiritual housekeeping, in this post I offer up some of the fragments that I've been carrying around.

  

  For Rigantonā:

Mārodēwā, eχs·yo semet medu wlatēs,  Great goddess, pouring the mead of the land,
Rīgantonā, magesos cassorīganī,  Rigantona, shining queen of the plain,
ne·tē tarbū, ton anwan aramū sepū.  I do not chase you, I whisper your name.
  
Catous nabā, Eponā, ma wo·tē gniyū  Lady of battles, Epona, in your service,
donyos collaweni rīgei emmi.  I know more joy than any prince.
Buet ton bodiyā mon woproyon.  May your favour be my reward.
  
Con argantū rīganyās wor canī talū,  With royal silver on a bright brow,
nou lomanā sterānon ambi ton monim,  or a bridle of stars around your neck,
dēwā noibā, dligis moinīs brigowlatēs.  holy goddess, you deserve the treasures of power.
  
Rīgantonā, wēdū tī, noibolaχsarī,  Rigantona, in your presence, in holy splendour,
are·yon·mī arās wolougon comarcū.  I ask that you grant your light.
Sepos tē, pāpon est temeslei  Without you all is in darkness.
  
Wēdū aidou, dūcī sedū ni·tē sedū,  Before the sacred fire, I sit and I wait.
Rīgantonā, nemesos cassorīganī  Rigantona, heaven's shining queen,
are dedmīs, dū·tī sin daunon eχs·semū.  for the sake of your power I pour out my praise.

  

  For the ancestors at Samonis:

Are dubusentūs, au dubutīresī,  Along dark paths, from a dark land,
au dubutegesī, rātī lētoglēssās.  from a dark hall, with grey walls of clay.
  
Ougros so wintos, ougron sin tīros,  Cold the wind there, and cold the land,
ougros wo aballās, duburīgyē Sucellī.  cold under apple-trees, in Sucellos' dark realm.
  
Cliton mon aidu, cliton sin baregon,  But warm by my hearthfire, and warm is the bread,
cliton sin curmi, are·yo woset dū swūs.  Warm is the ale, which waits for you here.
  
Loucos wolougos, dīsclairet are sentun,  For you a bright light, to brighten your path,
Po loucotegos, yon arewoset sī wenyā.  To a bright hall, where family waits.
  
Rēdosagyete senisamones, sentus est adcoros.  Hurry now ancestors, the way is open.

  

Atecoman est moi wreχtuwon rogeneson,  I recall your deeds, not unmindful of fame.
Nest ancoman clutī senisamonon.  It is fitting that we remember tonight,
Yālos est dū comanē, yon wertāt blēdanī.  At the turning of the year.
  
Mātres mon mātros, atres mon atros,  Mothers of my mother, fathers of my father,
are atecoman dī·swūs newū sin curmi,  in remembrance I pour out beer for you,
are atecoman ad·swūs berū sin baregon.  in remembrance I offer you bread.
  
Edete atawū con snūs sinnoχti, gabete sindā adbertā.  Feast with us tonight. Accept these offerings.

  

  For Latis:

Dīnewomos nowyolindon,  We pour out a new drink,
    lati nertāt·yo luχtun.    liquor that strengthens the crowd.
Līnāmos otlon lowenū,  We fill the cup gladly
    ar' Latēs nēbolītū.    for Latis' joyful ritual.
  
To·bere sin cormi bruwyon,  Now bear that lively beer
    ambi labarobruwon,    around the talkative crowd,
yon bardos dī·canet briχtu,  while the bard declaims a rhyme
    ambi medu bracāton.    about malted mead.

  

  A fragment of a poem for Lugus at Lughnasad:

Nu garyū menwanē, I now call to mind,
    saneston rosenon,     an ancient tale,
Nowiyū ad·wēdū Told anew,
    sugaryūs suwreχtūs.     with well-wrought words.
 
Ro·cuclowa cantlā, I have heard songs,
    ambi clowos Lugous.     of Lugus' fame.
Dercon daweti·yo, His eye that burns,
    dīgalī nemesos.     with heaven's vengeance.
 
Wlidubi wlaticon At the feasts of kings,
    Ro·wāta cowidwā,     I have told tales,
Ganon are glanon, Of his birth by the shore,
    gabaglan wogaisī,      his weapon-winning.
 
Nu·c canū calmiyon, I sing of the skilful one,
    cailācos altiyos.     the foretold fosterling,
Com·yo berte messun, When the harvest was taken,
    braton en magesi.     treachery in the fields.

  

  Another one for Lugus:

Outronēmī to·agis, You come in terrible beauty,
Lugus belisamos, Brightest Lugus,
rīχs ac barnaunos, King and Judge,
wogaisū ac telmī. With spear and snare.
 
Lucaton laχsaron, Bright burning eye,
derceti·yo wreχtūs donyon. which sees the works of men.
To·rege son yānon, Stretch out your justice,
to·rege trougocariyan. Stretch out your mercy.

  

  Sucellos Cintuatīr:

Ā Sucelle Cintuatīr, Sucellos first father,
nu te garyet ton gnatos Your child now calls you
eχs sondū bitū wo sowonan. from this world under the turning sun.
 
En sulissobi aballon, In your apple-strewn halls,
tande sūs dubnūs rodubūs down in the dark earth's depths,
ate·moi līna paryon. Fill again the cauldron for me.

  

  Noudons:

Cladiwos arewedet dedmin, A sword guides the law,
ambidurnos en argantolāmāi. hilt in a silver hand.
Lāmoletanos nec lāmocaletos, Open-handed, not miserly,
rīχs dagos ernat cowīron, a good king shares out the truth,
wor sindan donan, wo sosin nemos. over this earth, under that heaven.

Fish & chips

8.6.12 § 3 commentarii

Your average Brit, I have noticed, behaves radically differently while on holiday in contrast to when he or she is at home. It seems almost impossible that the Tourist sitting in front of me, clad in shorts, ill-fitting T-shirt and a miasma of sweat and suntan lotion, is the same shirt and tie-wearing white collar worker that lives next door to you. Having had the oppurtunity to observe a number of them at close hand over the years, I have reached the conclusion that at some point between (say) Ashby-de-la-Zouch and Moriconium (perhaps somewhere halfway along the A31), the Householder submits to a wholly perplexing transformation and becomes a Tourist.

What marks the Tourist out, to me, is his slavishness to convention. He thinks that because he is On Holiday, he must do those things which are done while On Holiday. It’s the urge that makes holidaymakers walk along the prom in the rain, swaddled in weatherproof gear and struggling to hold their hoods in place while battling into the gales at a forty-five degree angle. The reason why they sit in deckchairs eating 99s when the south coast is seeing its wettest March in decades. It’s the primal instinct which compels entire families to disgorge from their people-carriers in beach carparks, laden down with windbreakers, lilos, beach umbrellas, silly straw hats, those huge inflatable rings much-favoured by small children, beach-balls, garish swimming shorts, buckets, spades, suncream, sunglasses and myriad other impedimenta. It’s why they eat fish and chips.

Those of you with good memories may recall my mentioning having worked in a chippy. By which I do not mean your average punningly-named[1] neighbourhood fish and chip shop. I mean that for three years I was a manager at a 300-cover fish and chip restaurant located directly on the beach, with an attached takeaway outlet. I have, believe me, seen the Tourist’s mania for battered fish and chips at close hand, in all its gory, white-fleshed detail. It scares me. The chippy was located on the pier approach. Next door there was a ghastly chain pub serving generic pub food; accross the plaza a kind of surfer-themed burger joint; at the end of the pier a fairly unremarkable seafood restaurant; two hundred yards down the beach an entirely remarkable seafood restaurant. Along with stalls selling bugers, hot-dogs, ice-creams and so on and so forth. However, only at the chippy would there be a queue of more than a hundred people waiting to be seated. On a regular basis, a waiter would have to be sent to the back of the queue to inform the people waiting there that it would take at least an hour to get to the front of the queue, let alone be seated. Yet still they would queue, so great is the imperative that while At the Seaside, one should eat fish and chips. I still have nightmares about one August bank holiday. I spent the entirety of my three thirteen-hour shifts behind the frying range, mechanically dunking fillets of cod into rice flour, then batter, then hot oil. The till reports at the end of Monday revealed that we had served more than five thousand meals that weekend. Five thousand. Admittedly, Jesus managed the same over the course of a single evening using only two small fish (we used about a ton, all told), but I still think it’s pretty impressive.

The link between being At the Seaside and fish and chips is a remarkably strong one. In fact, one can use it as something of a tell when dining in a pub within five miles of the coast: chain pubs will serve normal pub food, indistinguishable from all the other pubs in the estate- a Harvester is a Harvester is a Harvester, be it situated on the beach or in the middle of Birmingham. Freehouses, however, will most likely style themselves as “specialising in seafood”. In many cases, this equates to a prawn cocktail (defrosted, water-sodden shelled prawns in a mix of cheap ketchup and mayo, lounging forlornly on yellowing iceberg) among the starters and then scampi and battered cod amongs the mains. Some self-consciously “traditional” places might have a pint of prawns on the menu, but it’s often rather uninspiring. I am fortunate that the Bear is not such a pub: the Head Chef is actually really good with seafood, and our weekend specials can vary from homely traditional classics like whisky-potted shrimp to elaborate Thai-influenced dishes with strangely named fish and red curry paste. I’ve learnt a great deal over the past year. Coming from a background in patisserie and viande mainly, I confessed during my interview that I knew dick about fish, and now I occasionally contribute the odd seafood special myself. I have a particular weakness for pork and fish together, so my suggestions have been things like garlicky king prawns with chorizo, salt cod and saucisson sec, trout wrapped in bacon.

However, the Tourist generally does not find such gastronomic triumphs tempting. (Besides, it is particularly heartbreaking to send a dish like these and have the customer request tartare sauce.) No, sir, after a long day working very hard at relaxing, with truculent young children in tow who would rather be playing X-box or MySpace with fellow prepubescent hoodies, he knows exactly what he wants: he wants cod, he wants it in batter, and he wants it served with chips, mushy peas and a wedge of lemon[2]. This, of course, gets pretty damn vexing. Unfortunately, visitors to Twynham are generally unaware that far from being a touristic hotspot, the town is actually just a place where old people come to collect their pensions until they die. There literally is fuck all to do here: we’ve got a big church, a rather underwhelming ruined castle and a market on Mondays which sells bird-houses, enormous knickers and knock-off country and western CDs. And that’s it. As a result, prospective day-trippers discover that by about two o’clock they have seen and done everything that there is to be seen and done in town. The children are moody and hungry, you’re in desperate need of a pint, and oh look, that pub has a wonderful large courtyard where we can sit outside. (Twynham is also remarkably child-unfriendly. There isn’t a pub anywhere with an actual garden or play area for children. The Bear’s courtyard is about the only place in town where kids can run around, let off steam and piss everyone in the vicinity off.) So, just as lunch service is winding down and I’m thinking about sitting down with a cup of coffee and a cigarette, bloody tourists come in all afternoon demanding battered cod and chips.

Ultimately, I have no idea why. For a start, I find cod a particularly insipid fish, and don’t understand what’s so great about batter. I suspect that the impulse for fish and chips isn’t simply a desire for “plain food”- we do after all also have a steak pie and a burger on the menu- rather some kind of morphic resonance with the presque-marin environment. Perhaps they (rather charmingly) cling to the belief that the fish is caught and landed locally? It almost certainly isn’t. For a start, although Twynham technically has a harbour, it hasn’t supported a fishing fleet for the best part of a century. About the only seafood landed on the Quay are crabs caught by children on bits of string. These days, the harbour is more of a marina where the pleasure-craft of the rich bob unused for much of the year.

And there’s also the question of the fish. Neither cod nor haddock is endemic to the Channel. Rather more likely is it that your cod has been caught somewhere in the north Atlantic by some industrial trawler, not a picturesque little fishing boat. And that’s even when your fishmonger is a reputable local supplier who deals only in fresh fish. It’s far from unlikely that in fact, the cod has been caught and frozen, flown to China to be boned, skinned and filleted and then flown back to the UK to be distributed by a national foodservice company such as Brakes or 3663. And don’t even mention scampi: the fishmonger we use is entirely reputable but even as far as he’s concerned breaded scampi comes out of the freezer in bags.

What I would love to see is a new, liberated tourist, who has broken free of the shackles of convention and woken up to the fact that there is more to life than cod and chips. That a seaside holiday doesn’t mandate battered fish, fish whose most recent stopping-point was a refrigerated transport container somewhere outside of London. That perhaps if you do feel the need for something fishy when by the sea, it might be a good idea to seek out an independent place which serves locally-caught fresh fish, cooked in inventive ways. I would also like to see this New Tourist before the summer holidays, as my fryer can only take so many fish at a time and the less strain placed upon its ageing mechanisms the better.

~~~~

1) Should I ever find myself opening and running one, I’ve already decided that it will be called “Oh, Cod, Why?”

2) The truculent young children will opt for chicken nuggets, generally. I always skimp on the chips and send a gratuitous amount of dressed salad with them, out of spite. The wails of “mummy, I don’t like salad!” can sometimes reach the kitchen, which brings a spark of glee to my cold, black heart.

Sod the Queen

1.6.12 § 0 commentarii

I fucking swear to god, the next Union Flag I see I will douse in gasoline and burn, like some kind of agitated Iranian. The Bear has the damn things everywhere, of course, and indeed some customers have been asking if we’re operating as some kind of BNP recruitment centre. It’s not just at work, either: when in Tesco’s earlier, I saw a box of Cadbury’s Chocolate Fingers emblazoned with the bloody technicolour dishcloth.

I am aware that it’s all in honour of the pleasant old German lady who’s been occupying Buckingham Palace for sixty years. I’ve been doing my best to blithely ignore it all, putting the thought of a four-day bank holiday weekend firmly out of my mind. This has become increasingly difficult. A small child wearing a plastic Union Jack trilby cannonballed into me earlier, singing what I assume was supposed to be “God Save the Queen”, if atonally keening that phrase over and over again with no reference to the actual tune does indeed count as such. The urge to strangle it[1] with the bunting it was trailing behind itself was overwhelming.

Even though I find the ubiquity of the British flag (and that dreadful Diamond Jubilee logo[2]) to be remarkably unBritish, it is not this that irritates me. Nor is it the programme of (non-)events that irritates me: if the nation wishes to spend its money organising street parties in order to eat sponge cake and damp sandwiches with people they would never even dream of conversing with on any other day of the year, that is entirely up to them. If Sir Paul McCartney, JLS, Jessie J and other acts who tick all the appropriate minority checkboxes want to bawl their way through forgettable “hits” in front of Buck House, good luck to them. If floating down the Thames in a flotilla of dinghies seems to you to be the ideal way to fête Her Maj, good on you (do be careful, though, you might float all the way out of London: be warned that “official” celebrations outside the capital are strictly forbidden.)

No, what irritates me is that rather than having any time off at all, I shall instead be doing fifty-two hours on shift over the four days. I hope it fucking rains.

~~~~

1) Current fashion, and the reticence of many “Yummy Mummies” to subject their darling sons to regular haircuts, has led to a veritable host of prepubescant children of ambiguous gender. Frequently, one can only be sure that the child in question is female if it is wearing a skirt.

2) Yes, I know it was designed by a six year old. I still think it’s bloody tacky. The Canadian and Australian Jubilee emblems are far more restrained and tasteful.

El blogare pezur del mun

12.5.12 § 1 commentarius

Cosài, n’amaic mai blogare a declarat de recènt ca jal è « el blogare pezur del mun » devoit a cal ca nun a postat nògla pe doje jèdme. Jèu lo recusài complait. O jèu san de clar el blogare pezur del mun, devoit a cal ca nun postài nògla despòi decèmbro, lanaica. Nun ai a avoit mult de blogar.

Peraltro, sebèn ca jèu n’aja nògla d’interesant a dair, chisài ai na caosa interesant en çal jèu lo pòs dair. Çò jè jal ca vojaltrei lezaitei acà — la lènga se daiç el dravean. Çalei d’èntra voi chi avaitei boane memòrie potratei nè recordarvo sa mai blog precedent. Jèu l’ai modificat bèn despòi.

El dravean jè na lènga romànica — d’evident — favlata antel zoi-zàpad del ch’è l’Òngrea en univers nòstro, jèntro Lac Pelsun e la Drava. Jèu maçnài ca jala av cènc annei ao bein çò adura, potèstro o paoc mai. Man recòrd ca jèu l’ai comensata durant el praim an mai al’unitversitat : le motivaseunei maje principale jara n’amurèt pel dalmasun veglot e n’envaja de crajar na lènga romànica bèn faça. Le lènge romàniche reçaip raje crítiche antela comunitat conlang : jale san criticate comu nojante ao banalei. Çalei ca cognusç mult dela filològea romànica – jèu me setài roi de maçnarme comu filologista – soal deriderle a caosa de soi manc de probaveltat : paochei capèsc comu complecata jè l’evoluseun stúrica dela famègla romànica.

Adunc, a mai la verisimilitúden jè fòrt important. Comu na varietat dela periférea, jala varda mult arcaïsmei perdoitei antele lènge del « còrd romànic » — j.j. français, catalan, taglan — de manèra fonològica e morfosintàctica. Pe esamplo, la leniseun intervocàlica jè assènta, e lei nomei ambizènerei san bèn mai frecoant ca en taglan ao spagnol vedran. Le caose noave san partazate cu le altre varietatei dela periférea, comu romanèsc, taglan del zoi e el veglot : la scàmbea del sistema bicasual romànic alei pluralei vocàlichei jè n’esemplo boan acà. Cèrtei, ai av multe inovaseunei specífiche ala lènga, comu l’/ɔ/ paragog, e la metafonesi trelusa antele furme vèrbalei.

De recènt, pòi d’acherait na còpea del tesi « The Linguistic Unity of Northern Italy and Rhaetia » (Hull, 1982), jèu ai soloit revisar la stúrea fonològica e alcoinei aspectei del gramàtica, en façant el dravean mai comu lei veçainei soi mai praçainei. San del’opineun ca’l latàn de Panògna setà plaça en o continuum cu lei latainei de Raetia, Noricum, Illiria e çò ca daiç Hull « Padànea » — o tèrm gloreus prestat malgratamènt sa naseunalistei de carater mai dubitavlo — e cosài el dravean mai jè de ressemblat açò : n’isola romànica en o mar de barbarei, favlanei zarman, sclavan e ongran.

Adunc sai. Sebèn jèu n’avis nògla de dair acà, nun foi osos.

Christmas

21.12.11 § 0 commentarii

Christmas can suck my balls.

Roll on January.

Cena Trimalchionis

2.12.11 § 2 commentarii

One of the most significant results of civilisation, in my opinion, is the phenomenon of eating out. Note that I don’t call it a by-product. Eating out- that is the very existence of places which exist solely to provide meals to other human beings, from Alain Ducasse Plaza Athenée in Paris to a Harvester in Barnstaple (and I use “meal” in its loosest sense there, of course)- is not a by-product of civilisation, but an integral and necessary result of the rise of civilisation. From a purely practical point of view, should one consider “civilisation” to be inextricably connected to the rise of urbanism, it’s a simple fact of urban planning that in pre-modern times, population density can only grow so high without open ovens in every Roman insula or Mohenjo-Daro block becoming hazardous. As such, when they wanted a hot meal, residents of ancient Roman blocks of flats would repair to the local caupona or popina[1], rather than subjecting the city to Neronian-scale fires every other week by cooking their dormice in domestic ovens.

Civilisation is ultimately what’s responsible for elevating the prototypical mealtime of Homo sapiens from squatting around a campfire gnawing on a haunch of wooly mammoth to sitting around a mahogany table with a bewildering array of cutlery. With this civilisation of eating, it ceased to be simply an act of providing the body with fuel but instead became a complex socio-cultural performance which we Anglophones refer to as dining. Now, here in the barbaric northwestern fringe of Europe, it’s really only a performance that we’ve engaged in for the past few centuries. In evolutionary terms, that’s no time at all. Far from long enough for it to become a matter of genetic instinct. Indeed, eating out is fraught with pitfalls of etiquette and the potential for social and interpersonal humiliation. The successful negotiation of this complex nexus of social conventions is what makes dining in a restaurant or pub a joy: it improves the flavour of the food. It makes you a better human, an urbane individual of taste and distinction, in the eyes of your companions and those who have the privilege to serve you.

Which is why I feel it is a public service to offer these few small words of advice to those who decide to eat out, in the earnest hope that they might avoid some of the graver embarrassments which might befall the unwary potential gourmand:

1) Your waiter has given you a menu for a reason. Contrary to expectations, behind those swinging doors there is not some Aladdin’s Cave of ingredients, with which the chef might knock you up absolutely anything you want, from Thai Green Curry with Pak Choi and Midgets to Flautist’s Liver with Fava Beans and Chianti. On the contrary, in the kitchen are those ingredients necessary to cook those dishes on the menu. And nothing more. It is utterly astonishing (to me, at least) how few people realise this. What’s on the menu is what we can cook for you. That’s why it’s on the frigging menu. Not only that, the menu also represents the totality of what chef is willing to cook for you. Exactly as it is described on the menu. We don’t just knock these things up in a spare five minutes. We actually research them, calculate the cost of each dish, from which supplier we’re getting the produce and how much of it we’ll need. So, for the love of every god in the sky, never go off-menu. If there’s something you don’t like on the menu, don’t fucking ask if chef is willing to replace the cheese for bacon, the beans for peas, the bread for pancakes etc. Pick something else. Something you will eat. If there’s absolutely nothing you want on the menu: go somewhere else.

It’s not just because it fucks up my GP (gross profit, what we’re all targetted on). And it’s certainly not just because I’m an awkward shitbag. Far from it: if you’re a vegetarian, I’m more than willing to make you up some vegetarian gravy, to leave off the bacon etc. On the other hand, if you’re a vegan, you shouldn’t be eating in public. Seriously. I respect your lifestyle choice, just don’t ask me to cook for you. And if you have allergies, I will do my utmost that you can eat my food without dying of anaphylactic shock. On the other hand (this is something of a pet peeve of mine) if you’re not allergic to something, but just really don’t like whatever it is, don’t tell the waiter that you have allergies. If you really don’t like tomatoes, I won’t put them on your burger. Don’t tell me you’re allergic to the damn things, or I’ll have to change the whole of your dish.

No. The real reason is that chefs are machines. We know every dish on the menu, and we can cook them on auto-pilot. Special requests make us stop and have to think about what we’re doing, and that just slows down the whole of service. It fucks us over entirely: I’ve made Diane sauce to exactly the same recipe throughout my career; some thirteen years. Some twatbag asks for it with wholegrain rather than dijon mustard and I essentially have to relearn something that I could otherwise do without thinking, and thus taking time from what would otherwise be spent on other meals. You are making your whole table’s food late, and everyone else who’s ordered after you.

And, while I’m on the subject, if there is a separate daytime and evening menu, never try to order something off the daytime menu in the evening. It’s eight o’clock and the rest of your table has ordered steaks, fresh fish, mussels. Great dishes, proper restaurant food. And you want a cheese sandwich on brown. I’m sorry my friend, but you are a grade-A cunt. If all you want is a cheese sandwich, fucking stay at home. Or go to Subway (they’re about as likely to make you a plain cheese sandwich on brown as I am.) I’m just not going to do it, and you should be ashamed for even asking.

2) Which, with the special requests, brings me to my next point. Don’t ask for the sauce on the side. It annoys the hell out of me. Have you ever tried pouring à la minute peppercorn sauce from a frying pan into a milk jug with an opening less than an inch across? It’s just sodding awkward. “Sauce on side” diners are generally those who order well-done steak (don’t). They’re generally the ones who only eat “plain food”. I do not work in a Berni Inn. If you want plain chicken and chips, either fuck yourself and re-educate your tastebuds or go somewhere else. This isn’t the eighties, we don’t serve food in baskets anymore. People who are only willing to eat “plain food” should not eat out unless they’re going to a sodding McDonalds. Such people are to be shunned.

(I’m serious about not ordering well-done steak. Just don’t. Particularly not if it’s fillet: you’ll break the chef’s heart. No chef wants to serve boot leather. If you don’t like bloody meat, don’t order steak.)

3) Chef is never willing to make you an omelette. If he were, it’d be on the sodding menu.

4) While still on the subject of special requests, recall that you are not dining at a hospice. This is not Care in the Community. So don’t ask for utterly retarded things: I cannot make a low-protein spaghetti carbonara.

5) Tip. Not tipping does make you a bad person. Seriously. The Dalai Lama tips, while Hitler made a point of never doing so. Who would you rather emulate? Obviously (and thank any god you care to mention), I don’t work in America, where tips are essential to the staff’s livelihood. Nevertheless, even here in the UK, tipping is important. Not only is it just polite, it’s also where my drinks at the end of the shift come from. Don’t come between me and my booze.

Don’t think that you can get away with not tipping if the service or food was shitty. The only justifiable reason for not tipping (short of your waiter being egregiously rude to you, of course. If he hits on your girlfriend, spills beer into your crotch or calls you a “cheapo shitebag without the manners or finesse of a rutting donkey” (that was a damn good shift), then you’re perfectly justified in not leaving a tip. Complain to his manager as well: waiters like to think that they’re fireproof, and should be disproved at every turn.) is if both the food and the service were aweful. Think about it. If you had excellent service but bad food, why penalise your fantastic waitress in order to punish the kitchen? Similarly, why punish the kitchen when you’ve dined like a king but your waiter didn’t know his arse from his elbow?

And yes, anything less than 10% is insulting. Don’t leave your small change as a tip: any waiter worth his salt will follow you out of the restaurant and remind you that you’ve forgotten your change. Really loudly, in front of other people. The elderly should also take note here: we are not your grandchildren and as such fifty pence is not a reasonable tip on a forty pound bill.

If you can’t afford to tip, you shouldn’t be eating out. And remember, a verbal tip won’t buy my beer.

6) Make a note of when the kitchen closes. If the kitchen closes at half nine, don’t order food at twenty-five past. I’m saying this for your benefit as much as mine. By this time, the chef will be ready to close, having cleaned the kitchen down and pretty much put everything away. Some cockend coming in and expecting starters and two well-done steaks five minutes before close is going to be the least popular man in town (never cut into a chef’s drinking time). The chef will rush through your check and the food won’t be great quality: he doesn’t care about your dining experience, he wants the goddamn food off his pass so he can turn everything off and get a couple of pints inside him.

7) I don’t work in a soup kitchen. You want something extra, you pay for it. In none of the languages I speak does the word “discount” occur.

8) Should you have the good fortune to encounter the man (or woman. It’s rare, but becoming more and more common) who cooked your food, recall that “chef” is not just a job description. It’s also a title. “Oi mush” or “Yurr, mate” are both unacceptable. It’s “chef”. The whole sociolinguistics of “chef”, and who gets to be called that in a professional context and when is the subject for a completely different post, but as a general rule, if you don’t know me personally, I’d rather you as a customer address me as “chef” when I’m at work. And do try not to ask stupid questions. Last weekend, in the middle of my shift, I was wandering around in the Bear’s courtyard for a reason which will remain undisclosed, and someone asked me “are you a chef?” Not the chef, mark you, but a chef. Lacking as I do any kind of customer service skills, my response was along the lines of “what gives it away? The jacket, the apron or the bad attitude?” The young lad in question responded that he’d just dropped a glass on the floor and broken it. I clapped him on the shoulder, congratulated him and told him that I hoped that he’d made his night now. If you happen to see me, don’t tell me that you need condiments or cutlery, or that your pint is flat or any other such triviality. I am a chef. The minutiae are handled by the waiting staff.

In summary, we all know that this has been coming for a long while, and hopefully this has gotten it all off my chest. That said, however, the urge to throw something at the wall and shout “CUNTS!” really loudly remains overwhelming. Should you ever visit a certain pub in south-east Dorset and hear a strange mix of French and Welsh expletives coming from a kitchen, you’ll know that you’ve found me.

Bon appetit!

1) For non-classicists, or those who didn’t do Latin at school, both of these terms refer to public eateries. Roman cafés, if you will. Etymologically, both are interesting. Caupō, the root of caupona, is ultimately the source of the English word “cheap”, via a proto-Germanic borrowing of the Latin as *kaupaz “trader”, hence also German kaufen “to buy”. Popīna, like caupō, is actually a loanword into Latin, in this case from Oscan or Umbrian, branches of the Italic family which exhibited a soundchange of * to *p, much as Brittonic and Gaulish changed proto-Celtic * to *p: the corresponding Latin reflex was coquīna “kitchen”. If Oscan-Umbrian were P-Italic, then Latin was Q-Italic. Which is pretty cool.

I need them and they need me

19.11.11 § 3 commentarii

I know this isn't really a post. It's a review. Well, not even that. (Rest assured, I've got a couple of things up my sleeve: one needs me to actually tug my finger out and write it (it's about the hospitality industry, my mistress and nemesis), and the other needs me to fucking locate one of my syntax textbooks.)

When I say “review”, I do of course use the term loosely. I honestly don't intend on any kind of analysis, rather let me offer this to you as something that I've been listening to myself.

I've spoken in passing here before that my taste in music is generally uninteresting: I really like what could be called “indie” music: from the 80's onwards. My iPod is a happy festival of the Killers, the Jam, Madness and everything (chronologocially, at least) in between. However, I still have a dirty little pop-music secret. These are the songs I sing at work. My all-time favourite band, when I was a teenager, was The Beautiful South. And, if I'm honest, still is. (I should probably confess to an enduring weakness for Italian pop music here. But, in honesty, if I can with a straight face refer to Alex Britti as an “Italian composer”, I believe I should be able to get away with it.)

I've mentioned here before (or perhaps on this blog's predecessor) that I am not the most “musical” of people. What I like about a song isn't its tune, but rather its lyrics. The Beautiful South is, to me, the exemplar of horrendously dark lyrics with upbeat pop tunes. (Domestic violence, rape, alcoholism etc. with a really catchy beat.)

The thing about Beautiful South tracks is that they speak to me at different times of my life. (Oh ye gods, I just noticed that I wrote “speak to me” with reference to music. Honestly, I need to be shot/corrected) Years ago, when my parents were divoricing and I was caught in the middle, I really related to Your Father and I, while far too much of my early relationship with He Whom I Call Beloved (actually, he's given permission for me to use his name now. It's Kris. He's pretty damn awesome.) can be summed up by Good as Gold (Stupid as Mud).

Which brings me back to the “review” part. Alternately, to what I'm feeling at the moment. I do apologise that it's not some classical composer: it's not Carl Orff setting some mediaeval lyric to modern music. In spite of the loquaciousness, I do like to remind people that I'm a remarkably simple man: in honesty I'm something of a pikey. Cock'n'bullkid is, in my opinion, a worhty sucessor to the Beautiful South: wry and depressing lyrics with a really chirpy tune. Depression has never sounded so good: